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In this context, the oldest Odia poems in circulation are included. Markandadas ‘Keshababkoili’, a Gurudakshina issue of Eka-labya from the Sarala Mahabharata. Poems are based on different topics. But it is also a mixture of knowledge and imagination. The ultimate goal of the series is to bring about complete happiness. The reader must be aware of the collection of poems and poems. You can also identify the main poetic senses of our race, language and literature.
Not only this, with the help of certain rules the organization of this piece of poetry is regulated. Despite the rule of law, the poets have not stopped commenting on the life experiences of the Odia people. He has been able to transcend the paradigm of change and express his eternal poetry.
This has been made possible by the intimate connection with the Odia public life of that time. When poets have successfully embodied personal feelings, they have sought fulfillment in the exchange of tears over love, devotion, joy, sorrow, grief, insanity.Tears of pride, pride, and hope have engulfed the whole being. “Sangeetamayata” plays an important role in the process of self-immolation. Various rhythms, and circles are associated with musicality.
Now though we do it. “It simply came to our notice then. The coexistence between music and literature has given a unique identity to ancient Odia poetry.
|Kabita Prabesha(କବିତା ପ୍ରବେଶ)
|No of Pages
|Dr. Bijaylaxmi Dash
|Packaging approx in cm – 15x22x1
|Sri Press, Cuttack